I've used every style of loom there is, but once I met the rigid-heddle loom I found my muse. She's accessible, portable, versatile, and so easy to set up that she allows me to iterate through my ideas quickly making it more likely that I will remember my head smacks and be less likely to repeat them.

This column is for knitters (and other fiberists) who weave or want to; knitters who will appreciate the speed at which you can crank out cloth, use up your stash, and teach your yarn to do new things. The gross motor movements of weaving are a nice break from the intimacy of knitting without sacrificing the feeling of handwork.

To the loom, knitters, to the loom!

A little bit goes a long way in this sweet little cowl. The pick-up stick allows you to easily add texture and opens up a world of possibilities.

This lovely little cowl is modeled by my fiber adventure friend, Liz Good.

SIZE
One

FINISHED MEASUREMENTS
Width: 8.25 inches
Length: 23 inches
Fringe: 1.25 inch

MATERIALS
Yarn
Warp and weft: aran weight Merino/silk blend, 845 yd/lb (12 wpi); shown in SweetGeorgia Yarns Merino Silk Aran, Sweet Plum colorway (50% Merino/50% silk); 185 yd/3.5 oz skein; step-outs shown in Botanical colorway.

Tools
rigid-heddle Loom with at least a 10" weaving width
size 8 rigid heddle
2 stick shuttles
large-eyed yarn needle
sewing needle
small embroidery scissors
9 buttons
coordinating sewing thread

Project specifications
Warp: 86yd
Weft: 61yd
Warp Ends: 75
Warp Length: 41"

Width In Reed: 9.75 inches
Sett: 8
PPI (Picks Per Inch or the number of wefts in an inch): 6

DIRECTIONS

WARPING
Warp the loom following the project specs. Center the warp in the rigid heddle for 9.75 inches. For the direct warping method, thread 9.75 inches worth of slots. Wind the warp on the back beam adding packing paper between the layers. Move one thread in each slot to a hole to its right. Be sure that you start and end in a slot for the pattern to work. Tie the warp on the front apron rod and adjust for even tension. (See column on warping for a refresher.)

Place the pick up stick:
When using a pick-up stick you only want to pick up threads that are in the slots. These threads move freely, making them easy to manipulate. The threads in the holes are restricted. If you pick them up you will be unable to get a clean shed.

To make sure you only pick up the slot ends, place the rigid heddle in the down position so that the slot threads are up. For this pattern pick up the slots ends behind the rigid heddle as follows: *2 down, 2 up; repeat from * 8 more times, and end with 2 down.

WEAVING
Wind one shuttle with the project weft and one with a smooth scrap yarn.

Start by weaving about 1 inch of scrap yarn to spread the warp evenly. It doesn't matter if you start in an up or down shed, but end on an up shed, so that the project starts on a down shed.

Using your project weft, open a down shed and insert your first pick, leaving a short tail of about 6 inches. Change sheds, tuck the tail in the new shed and then bring it out between two warp ends. Lay in the next pick at about a 45-degree angle and press the weft into place with the rigid heddle.

Weave 3 more picks for a total of 4 picks plain weave. Maintain the weft angle as you weave. This allows the weft enough room to travel over and under the warp ends and keep your fabric from pulling in at the edges. If you have loops at the edges your weft angle is too steep. Press the yarn gently as you weave to maintain a consistent number of picks per inch.

Weaving warp floats: This pattern is reversible. Whatever is happening on the face of the cloth, the opposite will be happening on the back. I find warp floats easier to weave then weft floats, so whenever possible, I weave warp floats.

Up: weave a pick (one pass of the weft) with the heddle in the up position.

Down: weave a pick in the down position.

Up and pick-up stick: place the heddle in the up position and slide the pick up stick to the back of the heddle.

1. down
2. up and pick-up stick
3. down
4. up and pick-up stick
5. down
6. up

You can leave the pick-up stick pressed at the back of the heddle when weaving the down sheds, but you must push the pick-up stick toward the back beam to get a clean up shed.

Weave this pattern until you run out of warp. End on a down shed, then weave a few picks of scrap yarn to keep the weft in place.

FINISHING
Remove the scarf from the loom by cutting the warp as close to the back apron rod as possible to preserve as much warp as possible. This will make it easier to make your final fringe. Untie the warp from the front apron rods. Be careful not to cut your apron cords! Untie the warp from the front apron rod.

Working on the end of the cowl with the 4 plain weave and using a small sharp pair of embroidery scissors, cut the scrap yarn in half. Gently remove half of the scrap.

Using an embroidery needle, needleweave each end back into the plain weave section. Trim tails to about 2 inches. These tails will be trimmed flush after will after washing. This forms a nice sturdy base for you to sew on the buttons.

The closures for the buttons are worked on the other end of the cowl. They are made by tying together two twisted fringe, each using 4 warp ends for a total of 8 ends worked. To see how to work a basic twisted fringe, review the Winter 2015 Get Warped column.

Work one closure as follows:
The left fringe is worked by twisting 2 groups of 2 ends to the left and then twisting them together to the right. This causes the twist angle to lean to the left. The right leg is worked by twisting 2 groups of two ends to the right and then twisting them together to the left, causing the twist angle to lean to the right. Secure the two fringes together with an overhand knot about half an inch from the end of the cloth.

The last fringe will be worked over 3 ends. Use a single end twisted to the right for the left leg and 2 ends twisted to the left, then right, for the right leg and then tie them together. This extra end will be secured to the last button along with the last fully worked fringe. Alternatively, you could work the last fringe with those extra threads.

Handwash by soaking the fabric in lukewarm water with either a 1/8 cup mild detergent or no-rinse wool wash for 20 minutes. Gently swish the fabric to help facilitate the floats moving into position. I often do this in the bathtub where I can lay the whole project out flat. Rinse gently. Roll the project in a towel and press to remove excess water, don't wring. Dry flat on a clean towel.

Trim the needlewoven ends flush with the fabric and the knotted fringe to half an inch below the knot.

Sew the button on the end with no fringe lining each button up with a row of floats.

Liz Gipson is a lover of yarn and that from which it comes -- namely the mills and fiber-bearing critters and plants. She is the author of the newly revised Weaving Made Easy and has two videos – Slots and Holes: Three Ways to Warp a Rigid-Heddle Loom and Life After Warping: Weaving Well on your Rigid-Heddle Loom

She recently lanched Yarnworker, a source for indepentantly published patterns and know-how for the rigid-heddle loom.

Find her on Ravelry as TheCashmereKid (she has goats) or on Facebook, Twitter, or Instagram.