The Torrey pine (Pinus torreyana) is a tree endemic
to coastal Southern California. Found nowhere else in the world,
it clings to sandy bluffs, perched between sea and sky.
Torreyana
also is suspended between worlds. Is
it lace? Or maybe cables? The Estonian inspired stitches incorporate
both, letting the sinuous spirals of pine cone scales echo in
the shawl.
And as the Torrey pines twine their branches skyward,
and their roots downward into the earth, Torreyana also
grows in two directions. Beginning in the middle, first
knit upwards, then downwards, the lace patterns themselves
incorporate a half stitch offset, so the edge motifs continue
seamlessly.
Torreyana has shoulder shaping built into the charts that
gives it an almost Faroese silhouette.
The
body of the shawl is knit upwards beginning with a gradual
decrease rate in Pine Cone chart. After transitioning to the
Pine Nut chart, the decrease rate becomes much steeper. The
depth and shape of the wingspan can be adjusted by the ratio
of the two stitch patterns.
More
Pine Cone repeats (and fewer Pine Nut repeats)
leads to a deeper, more Faroese shape, but
requires more yarn. Fewer Pine Cone repeats (and more Pine
Nut repeats) makes a chevron shape, and uses less yarn. The
difference between these two shapes can be seen by comparing
the silhouettes of the Handspun Shawl and the Petrol Shoulderette.
Torreyana has two selvedge options,
a simple I-cord knit along with the shawl, or for intrepid
knitters, a Chainlink Selvedge that incorporates faggoting
patterned on both rows, along with an Estonian lace stitch
from the body of the shawl that results in an entirely different
effect when used singly in the selvedge. The wider Chainlink
Selvedge does require short rows to curve around the shawl’s
shoulder shaping.
model: Elizabeth
Freeman photos: Josh
Freeman
SIZE
Scarf [Shoulderette, Small Shawl, Full-Sized
Shawl]
FINISHED MEASUREMENTS
Black Lace Weight Scarf (with Chainlink Selvedge):
Length at center back: 20 inches
Width: 44 inches
Petrol Fingering Weight Shoulderette (with I-cord Selvedge):
Length at center back: 21 inches
Width: 48 inches
Silver Worsted Weight Small Shawl (with I-cord Selvedge):
Length at center back: 27 inches
Width: 64 inches
Handspun Fingering Weight Full-Sized Shawl (with Chainlink Selvedge):
Length at center back: 33 inches
Width: 58 inches
MATERIALS
YARN
Note for All Versions: For each shawl, two
circular needles are required. It is useful to have needles that
are different colors or types, so that they are easy to tell
apart when beginning the shawl body. Use needles that are 32
inches or longer.
Black Lace Weight Scarf [below]: Misti Alpaca Lace [100%
Baby Alpaca; 437yd/400m per 50g skein];
color: Black; 1 skein Note: Scarf shown required approx.
430yd/395m. Buy a second skein to be
safe.
approx. 225 beads (size 6)
Recommended needle size: [always use a needle size that gives you the gauge
listed below -- every knitter's gauge is unique] 2
US #5/3.75mm circular needles (see note
above)
Crochet hook for placing beads (size
13/0.75mm)
Recommended needle size: [always use a needle size that gives you the gauge
listed below -- every knitter's gauge is unique] 2
US #8/5mm circular needles (see note
above)
Crochet hook for placing beads (size
13/0.75mm)
Silver Worsted Weight Small Shawl [below]:
Plymouth
Royal Bamboo [100% bamboo; 93yd/85m per 50g skein]; color:
3; 6 skeins Note: Shawl required approx. 550yd/503m. Buy an extra skein to be
safe.
approx. 250 beads (size 2)
Recommended needle size: [always use a needle size that gives you the gauge
listed below -- every knitter's gauge is unique] 2
US #8/5mm circular needles (see note
above)
Crochet hook for placing beads (size
10/1mm)
Handspun Fingering Weight Full-Sized Shawl [below]: Exclusively
by LindaLee [100% Bamboo top; very approximately
900yd/823m per 8oz/224g skein, 27wpi
single]; color: Blue Bajou; 1 skein. Note: Shawl shown required entire
skein. No beads were used for this shawl, but if you chose
to bead it, it would require approx.
400 beads.
Recommended needle size: [always use a needle
size that gives you the gauge listed
below -- every knitter's gauge is unique] 2
US #6/4mm
circular
needles
(see
note
above)
Notions
Cable
needle
Waste yarn
Stitch markers
Removable stitch markers or coiless safety pins (optional)
Smooth string or yarn, or blocking wires
Rust-proof pins
Spinning Tool: Louet
Victoria; [scotch tension] Combs: Pack
Flat mini combs
by Emmy
WRAPS PER INCH
27 wpi
DRAFTING METHOD
I was inspired by the Knittyspin article “Stretch
Your Color” from Spring 2008.
For my yarn, I broke the hand painted top
into even lengths and laid it out with the color repeats lined up. However,
I had too many lengths to simply pre-draft together. Instead I
pulled one staple length from each strip,
and blended these further on mini combs. I drew it off the combs through
a diz, and spun from the tip with supported long draw, for a semi-worsted
single.
GAUGE
Gauge is measured over Swatch Chart. Correct gauge is not essential
for this project unless you are working with a limited quantity
of yarn. However, if you do wish to swatch and measure your
gauge before beginning, use the Swatch Chart provided below,
as follows:
CO 33 sts. P 1 WS row. Working 2 sts at
each edge in garter st and all other
sts following Swatch Chart, work Rows 1-16
of chart twice. (Outlined pattern repeat will
be worked twice in each row.) BO all sts.
Block swatch, allow to dry, unpin and allow
to relax before measuring gauge.
Black Lace Weight Scarf: 20 sts /32 rows = 4 inches
using US #5/3.75mm needles
Petrol Fingering Weight Shoulderette: 17 sts /20 rows
= 4 inches using US #8/5.0mm needles
Silver Worsted Weight Small Shawl: 13 sts /19 rows =
4 inches using US #8/5.0mm needles
Handspun Fingering Weight Full-Sized Shawl: 19
sts /21 rows = 4 inches using US #6 / 4.0 mm needles
PATTERN NOTES [Knitty's list of standard abbreviations and techniques can be found here.]
Instructions for Judy's Magic Cast On can be found here.
Directions for blocking a lace shawl may be found here.
Estonian Stitches:
This shawl was inspired by three stitch
patterns from Pitsilised Koekirjad, an Estonian
stitch dictionary. This book does not give names for
individual stitch patterns. Here I refer to them by pine
tree elements they resemble. I modified the original
stitch designs so that the repeat lengths match and the
patterns flow from one stitch to the next.
For an excellent description of Estonian
lace stitches, see this
site.
For more examples of the beautiful stitches
originating in Estonia, take a look at
the Estonian
Lace Study.
Symmetry: As written, this shawl is not
strictly symmetrical; some of the stitches have a directional
slant, like the N stitches and cable crosses. If you wish
to make a completely symmetrical shawl, work as follows
on the left half of the shawl:
Work C5B and C6B instead of C5F and C6F.
Work Reverse N stitches instead of N stitches.
Work Reverse sk2p instead of sk2p.
At center of Row 3 of Edging Chart, work k2tog instead
of ssk.
Note that the left half of the shawl (as it will be worn)
will be the second half when working the body, but will
be the first half when working the edging.
Modifying the size:
This pattern is modular; its size is
determined by the number of edging
motifs worked, and by the number of
times the Pine Cone Chart is worked
before switching to the Transition
Chart and then the Pine Nut Chart.
Because the shawl begins near the bottom
edge, the number of sts to be cast on must be determined
before beginning. After deciding the number of motifs on
each side of the shawl, and the type of selvedge, use these
formulas to calculate the correct number of cast on stitches
for the Edging needle:
I-cord Selvedge: (Number of Edging Motifs
x 20) + 25 = Number of Edge Stitches
Chainlink Selvedge: (Number of Edging
Motifs x 20) + 43 = Number of Edge Stitches
For example:
Black Lace weight Scarf with Chainlink
Selvedge:
(15 Edging Motifs x 20) + 43 = 343 Edge
Stitches
Petrol Fingering weight Shoulderette
with I-cord Selvedge:
(15 Edging Motifs x 20) + 25 = 325 Edge
Stitches
Silver Worsted weight Small Shawl with
I-cord Selvedge:
(16 Edging Motifs x 20) + 25 = 345 Edge
Stitches
Handspun Fingering weight Shawl with
Chainlink Selvedge:
(21 Edging Motifs x 20) + 43 = 463 Edge
Stitches
The Pine Cone Chart can be repeated any
number of times before switching to the Transition Chart
and then the Pine Nut Chart. To complete all charts, however,
requires starting the Transition Chart with at least 3
cable crossings in each half of the shawl, over the last
repeat of the Pine Cone chart.
The decrease rate is much faster in the
Pine Nut chart. As a result, working
fewer Pine Cone repeats and more Pine
Nut repeats will give a more dramatic “more
than a triangle” shape to the shawl (a deeper V shape
in the center when laid flat). It will
also require less yarn. The contrast
between these two shapes can be seen
by looking at the silhouettes of the
Petrol shoulderette (with 1 repeat of
the Pine Cone Chart) and the Handspun full-sized shawl
(with 7 repeats of the Main Pine Cone Chart).
Working the Edging before finishing the body can help
determine how much yarn you have, and therefore how many
repeats you can make of the Pine Cone Chart. However, work
at least one Pine Cone repeat before starting the edging.
The edging chart begins with cable crosses in the first
row. These do not work well directly from the provisional
cast-on!
Pattern repeats when working from charts: The
red vertical lines indicate the edges
of the pattern repeats. Work the stitches
to the right of the red lines, repeat
the stitches between the red lines until
just enough stitches remain to work
the stitches to the left of the red lines.
Stitch Markers:
Stitch markers are used to separate the
selvedge sts from the shawl body, and for indicating
the center of the shawl. If you also wish to use stitch
markers between each pattern repeat to keep track of
the lace patterns, note that there will be points in
some charts where decreases within the pattern will necessitate
moving the markers. They will also need to be re-set
at the beginning of each chart repeat.
k3tog: K 3 sts together.
sssk: Sl next 3 sts
knitwise, one at a time, to right needle.
Insert left needle into fronts of these
3 sts and knit them together.
S2KP: Sl next 2 sts
together, knitwise, as if to work a
k2tog. K next st, then pass both slipped
sts over st just knit. This forms a
centered double decrease.
Reverse sk2p: Ssk, sl new stitch purlwise
back to left needle, pass next stitch on left needle over
new stitch. Sl new stitch purlwise back to right needle.
2 sts decreased.
C5F: Sl 2 sts to cable
needle and hold to front of work; k3
from left needle, k2 from cable needle.
This results in 2 stitches crossing
over 3 stitches.
C6F: Sl 3 sts to cable needle and hold
to front of work; k3 from left needle, k3 from cable needle.
C5B: Sl 3 sts to cable needle and hold
to back of work; k2 from left needle,
k3 from cable needle. This results in
2 stitches crossing over 3 stitches.
C6B: Sl 3 sts to cable needle and hold
to back of work; k3 from left needle, k3 from cable needle.
N st: Sl 1 knitwise, k2, pass slipped
st over both sts just knit. 3 sts decreased to 2 sts.
Reverse N st: K2, sl 2 sts just worked
back to left needle purlwise, pass next stich on left needle
over two new sts. Sl 2 new sts back to right needle purlwise.
3 sts decreased to 2 sts.
Beads and Nupps:
At the indicated points within the charts,
either a bead may be placed, or a nupp may be worked.
You may wish to try both while swatching, to see which
you prefer.
Beads: Beads are placed on RS rows using a crochet
hook. To apply a bead to a st, slip bead
onto crochet hook, slip st from left needle
onto hook, slide bead down hook and around st, slip st
back onto left needle, then k st as usual. Detailed directions
can be found here.
Nupp (5-stitch – shown on Handspun Shawl):
[K1, yo, k1, yo, k1] into same st. 1 st increased to 5
sts. On following WS row, purl these 5 sts together. Note: In a non-elastic yarn such as bamboo,
it is particularly important to make the Nupp increase
stitches very loosely. The stitches should each be approx.
0.5 inch long! It helps to use a finger to hold each new
stitch in place so that you do not inadvertently tighten
the last increase while making the next one. On the WS
row, when you insert the right hand needle to purl the
stitches together, if you have made the stitches loose
enough, not only should it be easy to insert the needle,
you should be able to see space between the two needles.
Selvedges:
There is a choice of two selvedges: I-cord
or Chainlink.
I-cord Selvedge:
I-Cord Selvedge is worked over 3 sts
at each side of shawl. Selvedge stitches are worked twice
on each right side row, and slipped on wrong side rows.
RS Rows: K3, sl 3 sts just worked back
to left needle purlwise with yarn held to back of work,
k same 3 sts again; slip marker, work shawl body in pattern
to last marker, slip marker; k3, sl 3 sts just worked
back to left needle purlwise with yarn held to back of
work, k same 3 sts again. WS Rows: Sl 3 sts purlwise with yarn
held to front of work; slip marker, work shawl body in
pattern to last marker, slip marker; sl 3 sts purlwise
with yarn held to front of work.
Chainlink Selvedge:
Chainlink Selvedge is worked over 12
sts at each side of shawl, which increases to 13 sts in
Row 1 of chart and decreases back to 12 sts in Row 7 of
chart.
All Rows: Sl 1 purlwise with yarn held
to front of work, bring yarn between needles to back of
work, k1, work row of Chainlink Selvedge Chart; slip marker,
work shawl body in pattern to last marker, slip marker;
work row of Chainlink Selvedge Chart, k2. Note: It is important to keep the slipped
edge sts very loose, so the shawl will block properly.
Don't worry if these sts look loose and sloppy before blocking.
Selvedges for Fast Decrease Rate (Transition and
Pine Nut Charts):
The Pine Nut Chart has an extremely fast
decrease rate. To make the selvedges lie smooth while working
the Transition Chart and the Pine Nut Chart, it is necessary
to knit more rows in the selvedge than in the body of the
shawl. (When working the Final Pine Nut Chart, however,
return to working selvedges at the usual rate. This will
cause the center neck edge to draw in slightly and fit
nicely around your neck.)
I-cord Selvedge:
For the I-cord selvedge, the selvedge
sts are slipped and knitted one extra time on each RS row,
so that the I-cord stitches are knit three times each RS
row, instead of twice.
RS Rows: K3, [sl 3 sts just worked back
to left needle purlwise with yarn held to back of work,
k same 3 sts again] twice; slip marker, work shawl body
in pattern to last marker, slip marker; k3, [sl 3 sts just
worked back to left needle purlwise with yarn held to back
of work, k same 3 sts again] twice. WS Rows: Work as for regular selvedge.
Chainlink Selvedge:
For the Chainlink Selvedge for extreme
decrease rate, short rows provide the necessary extra length.
Four rows of the Chainlink Selvedge Chart are worked for
every 2 rows of the Transition and Pine Nut charts. Because
this is lace knitting, the holes formed by turning the
short rows become part of the pattern, and there is no
need to do fancy ticks to hide them.
RS Rows: *Sl 1 purlwise with yarn held
to front of work, bring yarn between needles to back of
work, k1, work row of Chainlink Selvedge Chart*, turn work;
work row of Chainlink Selvedge Chart, k2, turn work; repeat
from * to * once more; slip marker, work shawl body in
pattern to last marker, slip marker; **work row of Chainlink
Selvedge Chart, k2**, turn work; sl 1 purlwise with yarn
held to front of work, bring yarn between needles to back
of work, k1, work row of Chainlink Selvedge Chart, turn
work; work from ** to ** once more. WS Rows: Work as for regular selvedge.
Charts
The charts for this pattern are very large. Each set fits on a letter-sized
page.
Click the chart name below and print the resulting page.
Casting On:
This shawl begins with a provisional
cast on, worked at what will become
the border between the shawl body and
the edging. To avoid having to pick up hundreds of stitches
from an ordinary provisional cast on, Judy’s
Magic Cast-On is recommended,
worked using two circular needles.
This way, when it comes time to work the edging, the
edging sts are already waiting on a needle.
Note: Judy’s Magic Cast-on creates 2 rows of
stitches. If some other provisional cast on is used
that creates a single row of stitches, work one wrong
side row in plain purl before beginning First Pine Cone
Chart.
Hold the Edging Needle on top [Judy’s Needle #2]
and the Body Needle on the bottom [Judy’s Needle
#1].
Wind off enough yarn for the tail, and
make a small butterfly or yarn ball from
it. To determine how much yarn to use
for your tail, cast on one tenth the
total number of stitches, mark the yarn,
unravel, and multiply the length of the tail used by 11
[to give a safety margin].
Hold the yarn with the main ball coming
over your forefinger, and the tail going under your thumb.
Attach the yarn to the Edging needle for the first stitch.
Repeat the cast on until the required
number of stitches (see below) are on the Edging needle
(top needle - Judy’s Needle #2). Stop here without
putting the final stitch on the Body Needle (bottom needle
- Judy’s Needle #1). There will be one stitch less
on the Body Needle than on the Edging Needle. Note: Due to the large number of stitches
being cast on, there is one suggested
modification to Judy’s
technique. As each stitch is cast on, some twist is removed
from the yarn by the Edging needle. Wrapping the Edging
needle (top needle - Judy’s Needle #2) counter clockwise
(instead of clockwise) prevents this.
As an added bonus, wrapping counter clockwise
seats the stitches correctly, and the stitches do not have
to be un-crossed on the first row of the Edging chart.
If using I-cord Selvedge, CO 325[325, 345, 445] sts (Body
Needle will hold 324[324, 344, 444] sts).
If using Chainlink Selvedge, CO 343[343,
363, 463] sts (Body Needle will hold 342[342, 362, 462]
sts).
Shawl body is worked over sts on Body Needle.
First Pine Cone Chart: Setup Row: Work first row of chosen selvedge,
place marker, work Row 1 of First Pine
Cone Chart, working outlined pattern
repeat 13[13, 14, 19] times, place marker (you
will be at center of row); work Row 1
of chart again, working outlined pattern repeat 13[13,
14, 19] times, place marker work first row of chosen selvedge.
If working I-cord Selvedge, you will
now have 312[312, 332, 432] sts; if working Chainlink Selvedge,
you will now have 332[332, 352, 452] sts.
Note: When working body of shawl (Pine Cone and Pine Nut
Charts), there is no center stitch; center of shawl is
indicated by stitch marker. After working selvedge at beginning
of row as set, work first half of shawl body following
chart, slip center marker, work second half of shawl body
in the same way as first half, then work selvedge at end
of row as set.
Work Rows 2-8 of First Pine Cone Chart. 288[288, 308,
408] sts with I-cord Selvedge; 306[306, 326, 426] sts with
Chainlink Selvedge.
Tip: Before beginning row 8, look at
WS of work. There will be columns of single knit stitches.
These columns will be used later as guideposts to line
up the Edge Setup chart. To make them easier to spot, as
you work row 8, at each knit stitch, attach a removable
stitch marker or coilless safety pin directly to the stitch
(not to the needle).
Main Pine Cone Chart:
Work Rows 1-8 of Main Pine
Cone Chart 3[1, 3, 8] times. 228[268, 248,
248] sts with I-cord Selvedge; 246[286,
266, 266] sts with Chainlink Selvedge.
Transition Chart:
Work Rows 1-8 of Transition
Chart, working selvedges for fast decrease
rate (see Pattern Notes). 132[156, 144,
144] sts with I-cord Selvedge; 150[174,
162, 162] sts with Chainlink Selvedge.
Pine Nut Chart:
Work Rows 1-4 of Pine Nut
Chart 5[6, 6, 6] times, working selvedges
for fast decrease rate. 42[48, 36, 36]
sts with I-cord Selvedge; 60[66, 54, 54]
sts with Chainlink Selvedge. There are
18[21, 15, 15] sts in each half of shawl
body (excluding selvedge sts).
Final Pine Nut Chart:
Because of the unusual decrease rate
in the Pine Nut chart (three N stitches are decreased
in each half of the shawl body every 4 rows), the final
repeat of this chart may have four, five, or six N stitches
in each half of the shawl body. The number of N stitches
in the final repeat determines which version of the Final
Pine Nut Chart should be used.
Using Version B[C, A, A] of chart, work all rows of Final
Pine Nut Chart, working selvedges as
usual (not for fast decrease rate). If working Chainlink
Selvedge and Version C, do not work yo at center of selvedge
when working Row 9 of Final Pine Nut Chart. 8 sts
remain with I-cord Selvedge; 26 sts remain with Chainlink
Selvedge.
Divide remaining sts in half, sliding each half to separate
ends of circular needle. Fold work in half so that live
sts meet, and graft halves together.
EDGING
Edging Setup Chart:
With RS facing, join yarn to sts on Edging
Needle. (Yarn will be joined at opposite end from yarn
tail from CO.) 325[325, 345, 445] sts on needle if working
I-cord Selvedge; 343[343, 363, 463] sts if working Chainlink
Selvedge.
To line up motifs, the C6F cable cross in Row 1 of Edging
Setup Chart will be centered over the single columns of
k sts visible on WS of Pine Cone section of shawl body.
Because the Edging is knit downwards from a provisional
cast on, the stitches in Row 1 are offset half a stitch.
The ssk in the center of each repeat in row 3 adjusts for
this, lining up the lace motifs with those in the shawl
body.
Important: Unlike the shawl body, the Edging Setup
section of the shawl has a center st between the two
halves of the shawl. Work this st in stockinette st.
Work Row 1 of Edging Setup Chart and set up selvedges
follows:
I-cord Selvedge [shown right]: At each
side of shawl, there will be 1 st between
selvedge sts and chart sts, which will
be worked in stockinette st.
Row 1 [RS]: Work I-cord Selvedge over
first 3 sts, k1, place marker; work Row 1 of Edging Setup
Chart, working outlined pattern repeat 15[15, 16, 21] times;
place marker, k1, place marker; work Row 1 of Edging Setup
Chart, working outlined pattern repeat 15[15, 16, 21] times;
place marker, k1, work I-cord Selvedge over last 3 sts.
353[353, 375, 485] sts.
Chainlink Selvedge [shown below]:When
working Edging Setup Chart over main portion of
shawl, Chainlink Selvedge Edging Setup
Chart will be worked over selvedge sts.
Row 1 [RS]: Sl 1, k1, work Row 1 of Chainlink
Selvedge Edging Setup Chart, place marker; work Row 1 of
Edging Setup Chart, working outlined pattern repeat 15[15,
16, 21] times; place marker, k1, place marker; work Row
1 of Edging Setup Chart, working outlined pattern repeat
15[15, 16, 21] times; place marker, work Row 1 of Chainlink
Selvedge Edging Setup Chart, k2. 375[375, 397, 507] sts.
As you work the Edging Setup section,
continue to work Chainlink Selvedge Edging Setup Chart
over selvedge sts as set.
Both Versions: Work Rows 2-10 of Edging Setup Chart,
working selvedges as set. 347[347, 367, 467] sts with I-cord
Selvedge; 385[385, 405, 505] sts with Chainlink Selvedge.
Main Edging Chart:
This portion of the shawl is worked without
a center st or marker. Instead, the
Main Edging Chart is repeated across
entire width of shawl without attention to the center.
Work Row 1 of
Main Edging Chart and set up selvedges follows:
I-cord Selvedge: There will no longer be 1 st between
selvedge sts and edging sts. Remove markers when working
Row 1.
Row 1 [RS]: Work I-cord Selvedge over
first 3 sts, work Row 1 of Main Edging Chart, working outlined
pattern repeat 33[33, 35, 45] times; work I-cord Selvedge
over last 3 sts.
Chainlink Selvedge: First and last 2 sts of each
row will be worked in garter stitch as set; all other sts
will be worked following Main Edging chart. Remove markers
when working Row 1.
Row 1 [WS]: Sl 1, k1, work Row 1 of Main
Edging Chart, working outlined pattern repeat 37[37, 39,
49] times; k2.
Both Versions: Work Rows 2-8 of Main Edging Chart,
working selvedges as set. 283[283, 299,
379] sts with I-cord Selvedge; 313[283, 299, 409] sts
with Chainlink Selvedge.
BO Row [RS]: Using two strands of yarn held together,
p2, [sl both sts back to left needle and p2tog, p1] to
last st, sl both sts back to left needle and p2tog. Break
yarn and draw through last st.
FINISHING
Weave in ends.
Following directions here,
block shawl. The shawl will block to more than a triangle with S-curves
on top edge. Allow shawl to dry completely before unpinning.
ABOUT THE DESIGNER
Elizabeth Freeman counts trees and crunches numbers for a living,
and has been known to bring her lace knitting along on wilderness
backpacking trips