NOTE: In this review, Robbie's comments
sit to the left of the page in regular
type, Amy's are to the right in italics.
First Impressions Robbie: As a knitter and spinner, I have
stash. Like most knitters who learn to spin, that
stash has recently started to grow rather
exponentially. I decided one day to look
into rigid heddle looms, as an alternative
way to use the yarn I collect and create,
but didn’t
know where to begin. After investigating
all the options, I decided to give the
Ashford Knitter’s
loom a try. It’s
easily available in any yarn or spinning
shop that carries Ashford products, and
seemed to be one of the more versatile
options on the market. As a bonus, not
being sure about weaving, theprice was
certainly right for trying out. When I
picked up the loom in the store, I was
surprised by how light the box was. It
was easy to carry home on public transit.
Amy: When
given the opportunity to test the Ashford
Knitter's Loom, I opted for the 20" wide version. I
liked the idea of more flexibility in the
width of my projects and one of
the big plusses of these looms are that
they fold [see picture at left],
meaning they take up much less space in
one's house than you might think.
The
carry bag, as far as I'm concerned, isn't
optional. The loom feels surprisingly light
in this well-designed bag, which holds
everything in just the right way, and distributes
its weight evenly over your shoulder. It
also has pockets for storage of extra items,
and lots of room to hold the yarn you're
going to weave. Get it.
Robbie noted that there
was very little difference in weight between
our two looms, unwarped, in the shoulder
bags.
At first glance, my impression of the loom was that it was
very sturdy and well made. As I unpacked
the box, I noticed how easy it was to unfold
the loom, and how well packed all the additions were. Having
never weaved before, I settled in with the guide on how to
warp and weave, expecting a steep learning curve. To my surprise
however, the thin and simple picture-based guide had me understanding
the concepts within minutes, and I decided to dive right in.
I'm not new to Ashford fiber products, having
had the chance to test both an Ashford
Joy Spinning wheel and an Ashford
drum carder in the past. As with both those products, this
Ashford loom is very attractively designed,
well made and the wood is beautifully finished.
The fact that this loom folds up for travel
and storage is pretty impressive, and immensely
functional.
Setting It Up Having heard many times that warping is a
time consuming process, and not fun to do, I was expecting
this part to be tedious. I clamped my loom to one table,
and the included warping peg to another one nearby by, ensuring
the distance was long enough to make a scarf as suggested
in the guide. It was very simple and easy to do, and with
the 7.5dpi reed for my first project, I was able to wrap
the warp in a matter of 20 minutes.
Warping takes a little longer with a wider
loom, and it was closer to 45 minutes for
me to warp, under the watchful eyes of
my experienced-weaver-friend Denny. The
included Ashford manual has very clear
photographs and instructions, and having
Denny there was a little safety net for
me.
A great tip for this is to use two tables [see
pic at right],
rather than one as shown in the guide. Not
having a big table, I used two smaller ones,
and found I could stand in-between them,
reducing my need to walk back and forth from
peg to loom. I’m certain
this helps speed up the process and make
it less tiring.
Warping the 20" loom wasn't hard, but I did find
it a little straining on my back. Using
a higher table would have helped, and Robbie's
suggestion about using two tables and standing
in the middle is sheer brilliance. Much
more ergonomically efficient.
The
next step is to cut the threads at the peg and have a friend
hold them and walk towards you as you wind onto the loom. There
are instructions
for doing this solo on the Ashford website, and though
I had a friend help me, I could see myself doing it alone just
as easily.
Within a few more minutes, I
was sitting down with the loom comfortably
in my lap, separating the threads into slots
and holes [see pic at right] as is required
for any rigid heddle loom. This process was
made easy by the diminutive size of the loom,
as I found it easy to balance on my knee
while sitting, and it is, in fact, quite
light.
The Actual Weaving
The included instructions made the actual
weaving seem extremely simple, and I was
a bit skeptical, but it really is as easy
as it looks. With the warp set on the loom,
you simply start with the heddle (the part the vertical warp
threads are threaded through) in its “Up” position,
and pass your yarn-filled shuttle under
the top layer of threads. Move the heddle
to its “Down” position,
pass the shuttle back through. Repeat. Repeat.
Repeat.
I found my greatest trouble in weaving was
having the tension not tight enough on
either roller. This is the kind of thing
you learn with practise, and I soon got
to learn when to take up my work on the
front roller and when the tension wasn't
right between the two. Once you get going,
you develop a pleasant rhythm and it's
quite enjoyable.
I
was surprised to find that in a very short
amount of time, the working area of the loom
was full, and it was time to roll the work
so I could keep going. A scarf in worsted
weight would probably take 3-5 hours. Using
lace weight for my weft (the horizontal threads
that go back and forth), I completed a scarf
in about 7 hours. The resulting fabric was
soft and warm, and very balanced looking.
One important thing to consider when taking
your project off the loom is that it won't
look right until you soak it. Weaving does
a magical thing when it's washed; tension
evens out, fabric fulls a little and fluffs
up, and edges get less wavy and uneven.
The loom is truly portable, and in its optional carry
bag, it can be slung over your shoulder and
walked with easily. The bag has roomy pockets for storing yarn
and accessories, so you can take it all with you. With weaving
on the loom, you simply move the heddle into “Travel” position,
loosen two knobs, and fold it. Pack it in
your bag and you’re
all set.
Overall Impression
In using the loom for two weeks, it has been
truly enjoyable to have and use. By the second project I
was getting better tension, having had a bit of practice,
and produced several scarves that other knitters I know were
surprised and delighted by. It has become a wonderful hobby
I can indulge in while watching a movie, and I even take
it to a nearby knitting group with me. I love how quickly
i can set up a project, and how easy and compact it is to
use.
I also was surprised at how portable this
loom is and how, even with the larger width,
I wasn't taking more than my share of room
up at my LYS. All you need is a little
table ledge to lean it against [it has
notches just for this purpose] and you
can weave along while you're friends are
knitting or watching tv or whatever. Weaving
also has me excited because I've got too
many fine yarns in my stash that I bought
without realizing I don't really like knitting
with fine yarns. But weaving with them?
It's awesome.
Want to see my progress? I pulled
my first long piece of weaving off the
loom and as I unrolled back in time, my
work got sloppier and sloppier. Here's
the oldest stuff:
Big holes in the work, cramped up weaving on the edges, right
next to big open spots.
Here's the latest weaving, and man doesn't
it look about a billion times better?
Much, much better.
That's because it is. Like any fiber craft,
there's a learning curve, and you can see
here how much better I got with a few hours'
practise.
The main reason my weaving in the 1st photo
is such a mess is that I was vigorously
beating the work with the heddle after
each row. The work in the 2nd photo is
even and straight because I stopped doing that, on guru Denny's
advice. Simply pulling the heddle toward
my lap gently but firmly, one time, was
enough to settle a row in place. My edges
are now tidy and my fabric is firm and
even. Very proud of this.
Robbie: My only problem with the loom would be the warp
stick ties that are used to fix yarn to both
ends of the loom. They’re
really thin plastic, and Ashford only provides
just enough for what the loom requires. When
removing my first project, I accidentally
snipped through one. After emailing them
to find out where I can buy replacements,
they’ve
offered to mail me some. They really should
just be in the box. While waiting, I’m using string to
hold the warp sticks in place, and it works
very well, but it seems like a silly thing
to not just include more in the box, knowing
how likely it is that they’ll
break or be snipped once in a while.
One thing that’s interesting to note, is that Ashford
provides many accessories for this loom,
some of which I’ve
already acquired. There are additional reeds
available, which change the gauge at which
you weave. I found the 7.5dpi included was
good for worsted and DK weights, and soon invested in the 10dpi
reed which works well for fingering and sport weights, and
the 12.5dpi reed which works well for lace and finer yarns.
There’s also
a 5dpi reed available, recommended for chunkier
yarns and art yarns.
This loom even provides the option of adding a second heddle
kit, which means you would have more versatility in creating
patterns, or the ability to use a finer yarn with more warp
threads per inch than possible with the available heddles.
After investigating weaving, I’ve also learned that one
can use pick up sticks to create more patterns. There are lots
of books and DVDs I’ve looked at that show this type
of loom is capable of much more than plain weaving. A rigid
heddle loom with pick up sticks or an additional heddle can
produce complex and interesting patterns in your weaving, with
a few simple tricks.
Amy: By the way, the gorgeous scarf Robbie
is wearing in the last photo above? It
took him 3 hours to weave, including warping
the loom. No wonder he looks so happy.