Once your drive band is frayed or stretched out, it’s
a good idea to put on a new one. By that time, you’ll
probably notice that you need to put more and more tension on
the band to control the take-up. A number of today’s single-drive
wheels come with stretchy, synthetic drive bands (Louet wheels
and the Schacht Ladybug come to mind); if that’s the case
for your wheel, you can buy replacements directly from the manufacturer
if necessary. I’ve found that synthetic bands last so
long that they are pretty much maintenance-free and very rarely
need to be replaced. Those of us who use cotton drive bands,
however, need to contend with replacement on a regular basis,
often every few weeks or months, depending on how often you
spin.
What should you use for a drive band? Most wheel manufacturers
sell the same cord originally supplied with the wheel if you
want to go that route. But these days postage costs make this
option pricier than it needs to be, so feel free to go on a search
for something available locally—or in your stash. I’ve
tried various knitting yarns as well as butcher’s twine
from the hardware store. What works best will depend in part
on your wheel, as well as on your individual taste. I prefer
100 percent cotton yarn or string because I find that it isn’t
too stretchy and wears well.
A single-drive set-up usually takes a slightly thicker drive
band than a double-drive does. You can try sport, DK, or worsted-weight
cotton knitting yarns. For double-drive wheels, sport or fingering-weight
yarns work well. You can use the groove in your bobbin as a
guide for the thickness. I use a multiply fingering-weight
100 percent cotton knitting yarn for my double-drive wheels
and worsted-weight “dish cloth” cotton yarn for
my single-drive great wheel.
Before you measure and cut your new drive band, put on the
bobbin and whorl you use most often and adjust the tension
to its neutral point (for example, on my Schacht, I turn the
tension knob on the top until the flyer is parallel to the
mother-of-all; on my Saxony-style wheel, I adjust the tension
knob on the side of the table so that the mother-of-all moves
halfway toward the drive wheel). The drive band will stretch
with use, so you want to start off making it a bit smaller
to give it room to grow. For a single-drive wheel, you’ll
run the drive band from the whorl pulley, around the drive
wheel, and back again. For a double drive wheel, you’ll
go around the drive wheel twice, with one end around the flyer
whorl and the other around the bobbin.
To spin with a Z-twist, you’re supposed to have a double-drive
band cross on the bottom of the drive
wheel, below the whorl...
and for S-twist
it should cross on the top, but I only
came across this bit of information
after I had already been spinning for
many years. I admit that I don’t
alter the position of the cross when
I change my twist direction. I put
the band on for a Z-twist and leave
it that way when I ply with an S-twist.
To splice or not to splice? For a long time, that was not
even a question for me. I always spliced
my drive bands. But then I read that
Rita Buchanan doesn’t
bother to splice the drive band for
her Schacht Matchless; I knotted my next drive band and never
looked back. (As a spinner, I’m
not afraid to be a sheep when I’ve got a highly qualified
shepherd!) I tie a simple square
(reef) knot,
and I’ve never had any issues with it. Sometimes I put
a drop of fray-check liquid (available
at fabric stores) on the knot to keep
it from untying itself when I trim the ends. Bobbie Irwin,
author of The
Spinner’s
Companion, also recommends
a fisherman’s
knot.
My antique great wheel demands a spliced band, as does my
double-drive Saxony-style wheel. You
might need to splice if you are using a thicker drive band because
the knot may cause the drive band to pop off. Try a knot, and
see if you can save yourself some time. If it doesn’t work,
you can always splice.
To splice a drive band, you’ll need to measure your
cord first: hold it in place, pull
it a bit firmly so it won’t
be too slack when you’re finished, and mark where the
two ends overlap.
Give yourself an extra
inch or so on both ends and cut.
Have a sewing needle threaded and
nearby (I’m using black thread
in these photos so you can see
the splice). Now unply about two
inches from each end, trim half
the plies from each end...
...and
finger-twist the two ends together
to form a continuous strand.
Using
your sewing needle and thread, knot
your thread around the yarn, and
take a few stitches through all layers
of yarn to secure the sewing thread;
move from one end of the splice to
the other, wrapping the sewing thread
tightly over the join and occasionally
going through all layers. End by
taking a few more stitches through
all layers and knotting the sewing
thread.
Trim any
stray ends of yarn or thread.
The old rule of thumb that I heard when I learned to spin
was that you can rub a single-drive
band with beeswax for more traction, but that a double-drive band should
stay naked. Alden Amos offers a band-dressing recipe in his Big
Book of Handspinning. Personally,
I’ve never bothered dressing a drive band, but I always
advocate experimentation. See what
works for you.
You’ll probably notice a big difference when you put
on a new drive band: you should find that your take-up is more
responsive to small tension changes. If you find it hard to
treadle or the take-up is too strong, you might need to loosen
the tension more than usual until the drive band stretches
out a bit. If that doesn’t correct the problem, try making
a slightly larger drive band. In addition to replacing your
drive band when it is worn, you’ll want to change it
if you are making a dramatic change in your whorl size—so
if you normally use a medium whorl to spin for a two-ply worsted
weight yarn, and you begin a new bobbin of laceweight with
your smallest whorl, a fresh new drive band will really allow
you to adjust your tension and take-up more precisely.
ABOUT THE AUTHOR
Lee Juvan learned to spin on a walking wheel
when she was twelve in a summer workshop at
Old Sturbridge Village in Massachusetts. She
bought her own wheel in 1990, and she’s
been at it since then. Lee is the designer
of several patterns published in Knitty, including
Shroom and Brighton.