This column
is about my journey in learning to spin without wool
or any other 4-legged animal fiber, using the same tools
as everyone else.
Spinning in the desert; or, Cotton,
I'm coming for you
I get to travel quite a bit -- to teach, to speak, and,
happily, to meet spinners
and knitters wherever I
go. It's rather cool.
Okay, perhaps cool isn't the right word for this
trip. I've just come back
from the Sonoran Desert
-- Tucson Arizona, to be specific.
When I started making plans for this trip, the first thing
I thought about was heat.
Hotness. Desert = hot. I'm
a northern girl who likes
winter. I'm not so good
in the hot. So the trip
was arranged in February,
the time of year northerners
do best in.
I had no idea what to pack, despite checking weather reports.
Spring temperatures during
the day [15c/ 59f], freezing
at night. Later in the week,
summer temperatures during
the day [28c / 82f],
still going down to freezing
at night. This wasn't what
I thought of when I imagined
desert. Clearly Arizonans
need to layer to survive
the weather...ah! No wonder
there are so many fiber
people there!
My host for the trip was my
friend, Heather [she's the
silken voice behind the Craftlit
podcast], a spinner first, knitter later, and weaver?
I think so. She's definitely
multi-craftual.
Heather belongs to the Tucson
Handweavers and Spinners
Guild,
and during my week's visit,
I heard a lot about the
guild, its members and its
ongoing projects. By the
time Saturday rolled around,
I was super excited about
attending their monthly
Spinning Study Group,
held at a local knitting
store.
Behind the understated facade of Kiwi
Knitting Company,
I found a shop brimming
with yarn of every description.
My favorite? The plant room
which is the Amy-Friendliest
knitting shop room I've
ever walked into. The chunky
indigo-dyed cotton called
my name, but I had to push
on, because at the back
of the shop, the spinners
were setting up for the
afternoon.
I wasn't sure what to expect [this seems to have been the
theme of this trip], but
when it comes to hanging
around with people who love fiber
and spinning tools, I know
that comfortable chat is
practically assured. This
group of fiber people was
no exception.
Meet Jill Holbrook. Jill was the facilitator that made this
trip happen, arranging schedules
and classes and lectures and
everything else so that the
week was full but not crazy.
[I love Jill. The smile you
see is what she is -- welcoming
and friendly, right away.]
The first thing I learned about Jill is that she spins cotton. Oh.
Cotton. There hasn't been
much mention of cotton in
this column, has there?
Well, that's going to have
to change.
I also learned that Jill's mentor is Joan
Ruane. Joan is an
expert on the subject
of cotton, from growing
to dyeing to spinning.
I have a copy of her learn-to-spin
cotton dvd titled Cotton
Spinning Made Easy.
I
will frankly admit here
that I have been scared
to try spinning cotton.
I'm just getting the hang
of the longer-staple fibers
I can spin, and cotton is
so...short. I've had reasonably
solid success after success,
since Maggie Casey taught
me to spin. [This is not
to say that I'm a fabulous
spinner; I'm still very
new. But I am able to spin
silk and bamboo and soy
and a whole bunch of other
stuff without making a mess
and having to stop every
5 seconds, and this is what
I have feared awaits me
when I take cotton in hand.]
But after spending a week with Jill, watching her spin
cotton on spindles, on her
wheel, on tiny tahklis while
waiting for the hors d'oeuvres to
arrive at our table, fearlessly
and with absolute skill,
my gumption is collecting
itself. I'm finally going
to sit down and let Joan
teach me how to do it.
Cotton Spinning Made Easy, eh? Okay, Joan
-- I'm going to give it
my best shot. Watch future
Knittyspin columns for the
results.
The sweater Jill
is holding [above] is made
from her own handspun [two
different natural colors
of organic cotton], and
is even more beautiful in
person. It's so gorgeous
that it was featured in
Spin-Off magazine [right].
Jill wasn't the only exceptional fiber person I encountered
on my trip to the Sonoran
Desert. Meet Esther Hughes
[she's shown in the last
picture on this page]. Esther
introduced herself to me
and immedately asked,
"Want to see how to spin
paper?"
I imagined strips of newspaper dangling from
a spindle, but Esther soon
had my jaw dangling close
to the table when she brought
out her paper. Esther spins
other papery substances. Sewing
pattern paper and, most
alluringly, coffee filters.
What? Yeah. Coffee filters.
The stuff at left isn't from
Habu, though it sure looks
like it could be. It's strips
of coffee filters, spun into
yarn.
Turns out that coffee filters are made from abaca fiber.
Abaca. I had to look that
one up, since it's not something
we're finding in knitting
yarn just yet and it was
new to me. Here's what I
learned:
Abaca grows in the Philippines and the plant looks kind
of like a banana tree, except
the leaves are skinnier. The
fiber is anywhere from 3-9
feet long.
Where have you seen
it? It's one of the fibers
they make paper money out of.
You know -- the stuff that's
strong enough to survive many
accidental machine washings
in someone's pants pocket?
It's also used to make rope
and twine, not surprisingly.
Okay, so Abaca is worth spending
a little time looking at as
a spinning fiber.
Esther brought her raw materials
-- a bag of neatly sliced coffee
filters. Some have been used,
some are right from the package.
The used filters were thoroughly
rinsed to remove all trace
of coffee grounds. That beautiful
weaving shown above? That's
what Esther made from the coffee
filter yarn. The colored sections
are made of waste silk thrums
and the neutral fibers are
the coffee filter yarn. Here,
take a closer look.
You need 1/4" strips of
filter paper for optimal spinning,
Esther says -- you can cut
them like when you cut the peel
off an apple keeping the piece
as long as possible. To spin
the paper, you need to moisten
it a little. A sponge
bowl like you use for moistening
stamps works well -- don't get
the paper too wet.
As you can see, Esther [shown
at right] spins hers on a handmade
top-whorl spindle and was happy
to impart the secrets of spinning
this mystical fiber to the
rest of us. Heather couldn't
wait and had it on the spindle
right away.
Interested to try this, but
not fond of natural-colored
yarn? Here's what Esther told
us to do: take out your box
of permanent markers and color
the filters before you cut
them up. Esther, you're brilliant.
The rest of the afternoon
was occupied with the sharing
of spinning secrets and shortcuts,
fiber oogling, wheel admiration
and all the good things that
are talked about at any gathering
of fiber people. Although I
kept hearing a loud buzzing
noise when people started talking
about heddles and reeds [I'm
very much not a weaver],
I felt quite at home.
Besides a newfound appreciation
for the unused coffee filters
in the back of my kitchen
cabinet, and a fire under my
spinning stool to get at the
cotton already, I brought something
else home with me: a need to
find a spinning guild near
home.
I have so many knitting
friends, and opportunity to
socialize over knitting at
almost any moment. But when
it comes to spinning, I'm still
pretty isolated. So it's time
for me to check out the
local guild.
It may not
be the right fit for me, but
I know how much my knitting
universe has expanded, for
the better, by taking it out
of the house. So I'll give
it a shot.
Thanks, Tucson
Handweavers and Spinners! And
thank you, Heather [that's
her over there on the left],
for sharing your guild with
me. You are a fortunate spinner
to be surrounded by this
much inspiration in the midst
of the already fascinating
cacti, hummingirds and javelinas.
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